You have never seen a movie even remotely like this. It's been a long time coming. Ten years in development, to be precise, and I've followed the saga throughout. My interest was based on my love of the source novel by Michel Faber which is a modern classic. Clearly the 10 year development period demonstrated the difficulty with which the novel would translate to the screen but, in my opinion, it was worth the effort, and the wait. When I heard that it was in Jonathon Glazer's hands (Birth and Sexy Beast) I was encouraged, and when I found out that Scarlett Johansen was to play the central character Isserley (unnamed in the movie but credited as Laura for some reason) my heart skipped a beat. I was not disappointed, but let's make no mistake, this is a Marmite movie. My wife was bored to tears. And I can see why one IMDb reviewer headlines his review "Tedious. Thoughtless. Empty. A failure in all ways." But I disagree entirely. It's fair to say that the pace is laconic, but it's a thing of beauty and a movie packed full of ideas, unique special effects and greatness. If you haven't read the novel you might be forgiven for asking what the hell is going on in this story and, yes, there are elements of it that are fully explored. The long section of the movie where Isserley combs the streets of Glasgow, looking for her victims, with the help of hidden cameras bringing a documentary feel to the whole proceeding, is long and a little repetitive. But it's necessary to show the exhaustion of her task and her eventual disintegration. What's more, it does not paint the city in an entirely positive light. To that end Creative Scotland should be commended for supporting it. It's a movie packed with visual metaphor. There are some moments of horror but they are far from gratuitous and all completely emotionless which is to be expected given that Isserley is an alien, devoid of emotion, sent to earth to farm unattached males for her home planet (not that you'd work that out). From the opening sequence in which Isserley's eyes are created, to replicate humans', the imagery is breathtakingly disconcerting. It's underpinned by an outstanding soundtrack by Mica Levi. Johansonn is magnificent. Isn't she always? She is brave to take on a role this opinion dividing, and she manages to exude a total lack of emotion throughout in such a way that, unbelievably, you kind of sympathise with her role as human culler. Glazer is magnificent. But he always is. Birth is a much underrated movie and anyone who saw his debut, Sexy Beast, cannot fail to love the guy. This is a great movie. Rammed to the rafters with original thought. It's just a great pity so many of you will dislike it so much.
Under the Skin (2013) 720p YIFY Movie
Under the Skin (2013)
A mysterious woman seduces lonely men in the evening hours in Scotland. Events lead her to begin a process of self-discovery.
IMDB: 6.8131 Likes
The Synopsis for Under the Skin (2013) 720p
A female alien comes to Scotland to replace a deceased alien. She drives a van through the roads and streets seducing lonely men to process their bodies. Soon the emotionless alien sees her human form in a mirror and she experiences the human emotions and feelings coming to a tragic discovery.
The Reviews for Under the Skin (2013) 720p
Jonathon Glazer continues his ascent with another fabulous movie that will entirely divide its audienceReviewed bymarkgormanVote: 9/10
I have to admit that I did not see the first minutes of the film. Neither have I read the book therefore I will write about this film as if it was a piece of art on its own, which it is. Under the Skin is a new picture from Jonathan Glazer, who has also directed Birth with Nicole Kidman and some music videos for bands like Radiohead. The main character, alien Laura, is played by the famous actress Scarlett Johansson. Firstly, there is no obvious narrative in this film, because it does not have a big significance or importance here. On the most basic level it is a story of an alien imposing a woman and seducing men from all over Scotland in order to drain their flesh. This is the most simple summary of the movie. On deeper layers it is a serious study of our society. The film's main focus is on the inside and outside of things, the philosophy of form and material. Johansson's character is struggling in this society. She is always portrayed as going against the stream, she is lost in the sea of rushing people who do not want to get deeper into things, because they know they could be hurt. This is represented in a very subtle visual way. For instance, roses look nice in the film, but they have spikes which make rose seller's hands bleed. A piece of cake seems delicious, but the taste of it is disgusting. It is always the fight between the surface and depth in this film, the first impression and further investigation. I believe it is a very important theme for our society where people are afraid of making commitments or engagements, where they seek for quick pleasures, even though they need true and honest love. The film is very strong visually and stylistically. In order for the reader to get a glimpse of what it is, I will say that it is sort of a combination of Kubrick, Lynch and von Trier. Kubrick - for using clever cinematic language, for all the subliminal messages that are there like a sign on a building saying "Open 24" which is pretty ironic as nobody in the film is truly open. The director deliberately plays with this open and closed concept a lot. The music is somewhat similar to Eyes Wide Shut's too and I think it is used to the fullest in Under the Skin as a form of expression. One can also feel the influence of 2001: A Space Odyssey with all those shots of abstract liquids and close-ups of a human eye. Lynch - for the dreamy, surreal sequences and the guy with the ugly face. I see it as a direct reference to his film The Elephant Man where he also talks about the inner beauty of a human being. Von Trier - for the sea scene (Breaking the Waves), for the foggy scenes in the woods (Antichrist). Like it usually happens with von Trier's work, someone might blame this film of cheap shock value. I do not think that is the case. The film is being a little provocative, indeed, but at the same time all those provocations are reasoned by the message the director wants to convey. So one can easily feel some influence from other directors, maybe some references, but I should say that this film does not lack originality at all. The directing decisions and the choice of music are as strong as the 2.5 minute close-up of Nicole Kidman's face in Birth. If you have seen that scene, you know what you are dealing with here. Even though, in my opinion, the images are very meaningful and extremely powerful, Under the Skin has received a lot of contrasting responses. Personally, I think the film is a masterpiece and it is worth the Golden Lion, but there are people who actually hated it and booed at it after having seen it. I cannot really understand why they did that, but I think it is good when a piece of art inflicts emotions and receives such different responses. It means that it is not mediocre and that it will cause discussions, maybe some self reflection which is always a good thing. The film suggests that I should get more into details, analyse things carefully from beginning to end, but I will not, just because I want other people to see it first and make their own conclusions. But obviously Under the Skin demands a bigger analysis than this one. I will just say that I was blown away by what I saw on the screen and by what I heard from the speakers. I hope I will get to see it again on the big screen. It has so much power and it is questioning the most important, essential things about our existence - our values as human beings. Where are we going, where are we rushing? Maybe we need to stop and look at the beauty around us? Maybe we should stop being superficial about others? Or maybe we are empty like balloons ourselves? For me it is definitely the best film from the 70th Venice Film Festival and one of the best films I have seen in my life.
I would like to start by saying i am a fan of films that are "different". I don't need a million gunshots or explosions to entertain me. I am not set on good guy vs bad guy and good guy winning. I like thought provoking films; i enjoy them much more than the soul sucking films that are manufactured on a daily basis. So i was intrigued by this one. The trailer was dark and seemed full of suspense. The critics had made bold comparisons with Stanley Kubrick, which in itself is a massive compliment. And as someone who lives in Scotland it had a little sentiment to it. But for me it was dull. Every time i thought it was going to pick up the pace, it decelerated. It was so slow it may as well have been going backwards. There are far too many scenes that are prolonged. I am fully aware of its intention to focus on aesthetically driven scenes. But 5/6 seconds is enough to appreciate it, not 10/15 seconds. At some points i thought the reel had maybe stuck and was expecting a CineWorld employee to come pacing round the corner to explain that there was something wrong. It just pauses at points that don't need that much attention. I am also aware of the symbolic nature the film carries. It is clearly a film you need to look further to understand it in more depth. That is fine; i welcome that, but the problem is that it does this without conviction. I don't need to see the masses of drunkards who swarm Sauchiehall Street 20 times. What is the purpose? To let us know that we, as people, blindly walk through life intoxicated not appreciating the finer things in life? That Under the skin we are empty? I assume that is a candidate for its meaning. Scarlett Johansson doesn't have a lot to do in this film; basically make small talk and get naked, all the while with a plain face. And considering how ridiculous the Scottish actors are made to look, maybe she is due some credit for maintaining that straight face. There are a few things that bug me however; like she can walk down your average staircase, but panics with a spiral staircase. There is a definite point to this film, but with the layout, with there being no real culmination, no real explanation, it leaves you feeling you have been robbed of a film that could have been more. Could have told a better story. And for any Americans who watch, not all Scottish people talk like that, or wear horrible purple shirts, unnecessarily tucking them into our over elevated jeans. We don't all support Hibs and when a van is parked not all of us will gang up and try to break into the van. So feel free to visit. It is a nice place after all. Although the film had some stunning scenes and promotes Scotland visually, it doesn't exactly put the people in a great light. I wanted to enjoy this film, but i couldn't. I wanted to agree with comparisons with Kubrick, but i certainly won't. You can throw arguments of it was beautifully crafted or had symbolic serenity, but at the end of the day it is slow, uneventful and lacked culmination.