Top Hat (1935) 720p YIFY Movie

Top Hat (1935)

Top Hat is a movie starring Fred Astaire, Ginger Rogers, and Edward Everett Horton. An American dancer comes to Britain and falls for a model whom he initially annoyed, but she mistakes him for his goofy producer.

IMDB: 7.83 Likes

  • Genre: Comedy | Musical
  • Quality: 720p
  • Size: 1.20G
  • Resolution: / fps
  • Language: English
  • Run Time: 101
  • IMDB Rating: 7.8/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 0

The Synopsis for Top Hat (1935) 720p

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

The Director and Players for Top Hat (1935) 720p

[Director]Mark Sandrich
[Role:]Fred Astaire
[Role:]Edward Everett Horton
[Role:]Erik Rhodes
[Role:]Ginger Rogers

The Reviews for Top Hat (1935) 720p

"Isn't this a lovely day to be caught in the rain?"Reviewed byackstasisVote: 7/10

'Top Hat' is a classic 1930s dance musical. The film positively reeks with class, and the winning partnership of Fred Astaire and Ginger Rogers is impossible to overlook. The two stars had performed together three times previously {Flying Down to Rio (1933), The Gay Divorcée (1934), Roberta (1935)} and would later do so on a total of ten occasions. As of this moment, I've only seen one of these films, but if 'Top Hat' is anything to go by, I have a lot of great titles to track down. It's rather peculiar that until recently I would actively avoid anything that features characters suddenly bursting into song for no particular reason, but classics such as this one and 'Singin' in the Rain' are gradually overcoming my aversion towards the musical genre. Mark Sandrich, who would direct five of the dancing team's outings, presents the audience with a glittering world of wealth, class and elegance, helped along by the potent chemistry of the two leads and a memorable selection of musical numbers written by Irving Berlin.

The storyline in 'Top Hat' is relatively basic, a lightweight screwball comedy with an assortment of misunderstandings and mistaken identities, but it's very entertaining. Of course, some of the plotpoints are rather contrived and require a bit of suspension of disbelief, but try and find me somebody who gives a damn. Jerry Travers (Astaire) is an American Broadway dancer making his London debut for producer Horace Hardwick (Edward Everett Horton). Following an uncontrollable late-night urge to start tappin' in his hotel room, Jerry comes to meet Dale Tremont (Rogers), who is initially repulsed by him but is later won over by Astaire's boyish enthusiasm and charm, not to mention some well-executed dance moves. However, an assortment of unlikely scenarios leads Dale to believe that Jerry is the husband of her good friend Marge (Helen Broderick), and his perceived infidelity leads her to seek somebody else's hand in marriage, namely the pompous Italian dress designer Alberto Beddini (Erik Rhodes).

Of course, the story is entertaining to watch, but the film's main assets are its remarkable dance numbers. As opposed to many other musicals, the sequences in 'Top Hat' have a certain intimacy about them. There is no quick editing or unusual shooting angles, but instead the camera is settled at enough of a distance for us to fully see both performers, and then it just sits back and allows the two stars to do what they do so well. Additionally, because each of the songs is integrated almost perfectly into the plot {except for "The Piccolino," which seemed a bit out-of-place}, the musical interludes complement the storyline, and vice versa. Choosing a favourite song would be next to impossible, so I'll just declare that "No Strings," "Isn't This a Lovely Day (To Be Caught in the Rain)" and "Top Hat, White Tie, and Tails" are all massively enjoyable to watch. The film's most famous number, "Cheek to Cheek," has since become one of American cinema's most beloved musical scenes, and subsequent directors have regularly employed it to add emotional resonance to their own works {see Woody Allen's 'The Purple Rose of Cairo (1985)' and Frank Darabont's 'The Green Mile (1999)'}.

Blues-chasing MusicalReviewed byharry-76Vote: 10/10

Treat yourself to a dandy funfest, called, "Top Hat."

Fred and Ginger are on in one of their all-time smash hits, dancing superbly, singing up a storm, and acting the heck out of their fluffy, delightful roles.

The double-take master, Edward Everett Horton is Fred's rich-pal producer; sardonic Helen Broderick is Ginger's best friend, Madge; and persnickety Eric Blore is Everett's manservant, Bates. But it's the fantistic Erik Rhodes as the Italiano dressmaker, Alberto Beddini, who steals the show.

Mark Sandrich's direction, Astaire and Hermes Pan's choreography, Thomas Little's set decoration, and Irving Berlin's score, are faultless.

It all adds up to a laugh-a-minute, eye-popping bouquet from RKO Radio Pictures. See it in a full theatrical house with an audience who appreciates the period, the style, and the message ("Just sit back, relax, and enjoy") and you're in for special treat.

"Raise you glass of vino, and sing the Piccolino."

Fred and Ginger at their very bestReviewed bydidi-5Vote: 7/10

"Top Hat" has everything to make a perfect musical - great leading stars in Astaire and Rogers, good character support from Edward Everett Horton, Helen Broderick, and Eric Blore, fabulous numbers ("Top Hat, White Tie and Tails", "Isn't it a Lovely Day", "The Picolina", and "Cheek to Cheek"), an hilarious plot of mistaken identity, and breathtaking designs which transport you into a Hollywood fantasy of Venice. This was the stars' greatest teaming and the film packs a great deal of energy, fun, and sex all these years later. A true musical classic and one of RKO's finest.

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