This was an absolutely horrible movie, I saw nothing in it that deserves an academy award. Yes the lead actress did a good job, but the story line was stupid, kind of like a rehash of King Kong, and most of the other characters were more like cartoon characters rather than real people. I suspect the producers must have a bunch of Russian trolls pumping this movie up. Don't waste your time or money on this movie.
The Shape of Water (2017) 720p YIFY Movie
The Shape of Water (2017)
At a top secret research facility in the 1960s, a lonely janitor forms a unique relationship with an amphibious creature that is being held in captivity.
IMDB: 7.735 Likes
The Synopsis for The Shape of Water (2017) 720p
From master storyteller Guillermo del Toro comes THE SHAPE OF WATER, an otherworldly fable set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa's life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment. Rounding out the cast are Michael Shannon, Richard Jenkins, Michael Stuhlbarg, and Doug Jones.
The Director and Players for The Shape of Water (2017) 720p
The Reviews for The Shape of Water (2017) 720p
Worst best picture everReviewed bystuartsnyder-43892Vote: 1/10
Today's movie deals with a love between a human and a monster. Many should immediately shout, "Beauty and the Beast!", as that's the most well known fairy tale of that same kind of love. When you come down to it, it's seen as bizarre, considering that it's practically two different species that have declared a love between each other. It's a connection that falls off the radar, but you could argue we have connections to a lot of things that are not human. Children love their electronic video games. Pet owners love their dogs. What's different is that those connections are not romantic, but rather mutual.
Cinematically, we've gotten a lot more love stories between creatures then we realize. Shrek had an ogre in love with a human. Splash had a man in love with a mermaid. But the biggest example, oddly enough, are monster movies (more specifically, the universal monster classics). Dracula, The Mummy, and even the Phantom of the Opera pushed the boundaries of the connection that love is. The biggest example, though touched lightly, was The Creature from the Black Lagoon. Though I can't say it's a full remake, The Shape of Water seems to tell a story about a gill man who makes that connection with a human woman.
It's the early 1960s. Elisa (played by Sally Hawkins) is a mute woman who lives a quiet life, working as a janitor for a government research facility in Baltimore. Her two friends consist of neighbor Giles (played by Richard Jenkins), a closeted gay man who teaches her about old music and film, and coworker Zelda (played by Octavia Spencer) who is also her sign language interpreter for their employer. Her life is changed when colonel Richard Strickland (played by Michael Shannon) brings in a creature he captured in South America.
When Elisa comes to clean the room the "asset" is, she sees that it's a gill man. She starts to bring it food and even music to show that she means no harm. Slowly, the two become friends as they connect without ever speaking (considering that Eliza is mute and the gill man can't speak). Things look bleak as Strickland, obsessed with the cold war, want's the creature dissected and studied for the space race. At the same time, Soviet spies want the creature destroyed so the U.S. can't get ahead. The race is on to see if Eliza can outwit both sides of the war for her love.
While there does seem to be similarities to Creature from the Black Lagoon, I can assure your that The Shape of Water is not only a different film, but a pretty good one to beheld. It's strengths lie within it's story and cast. Despite being very cold war orientated, this story has a fairy tale quality to it. It's director Guillermo del Toro directed a similar project called Pan's Labyrinth, but the goals were similar; to bring tales of beauty and hope within dark times.
The Shape of Water is a love story first, and while I won't spoil anything, I can guarantee that I really wanted to see our two characters live together. You really feel for Eliza (who Sally Hawkins is phenomenal as playing), who is figuratively and literally a silent character waiting for her moment to present her voice. That all comes within the gill creature, whose effects are not only amazing (an example at how practical and CGI can work together), but you get a lot of personality from him. He's shy, but open to trying new things. He's a lot like a powerful child who is learning about the human world. These two do make a great couple.
Even the cold war elements are really good. The film smartly presents both sides as wrong...yet with people that do want to see good come out. This is also a secret I'll let the film reveal, but it makes me realize how black and white many modern movies about Soviets usually are.
I'll say now that The Shape of Water also happens to be a sexual story. I can see a lot of people turned off by this and simply too weird of a love story, but the movie makes it palatable enough that people should see through it's inner beauty.
I'll give this nine gill men out of ten. It's definitely a well written, well acted, well designed, and well directed. Fans of Guillermo del Toro, monster stories, and fantasy will like this. Will mainstream audiences get into it? It's hard to tell, but if people can love a beast from Beauty and the Beast, I don't see why they can't also love this gill man. Go see it, and find out if this story of silent beauty floats.
Guillermo Del Toro's newest film "The Shape of Water" took my breath away. Easily this is Del Toro's finest film since "Pan's Labyrinth" and may even be his best in general. This is a film where Del Toro weaves magic throughout with a story he created which is simple, yet layered with such interesting facets embedded in each character, set, and prop as he allows the audience to discover this intimate and fascinating world of "broken" people searching for a moment of meaning. Captivating from its opening scenes with haunting visual imagery, and a lyrical score by Alexandre Desplat, one is immediately enthralled by this fairy tale that is not your usual saccharine variety that Disney cranks out.
Del Toro knows how to tell a story with wit, style and heart. Assembling a cast headed by the incandescent Sally Hawkins in the role of Eliza who is mute throughout the film, but exudes such humanity and strength along with the villainous Michael Shannon who provides a great balance. Every single actor sparkles because every character has been developed with great care. Richard Jenkins and Octavia Spencer shine in their roles bringing a touch of quirkiness and humor to this sometimes dark story.
The film is achingly nostalgic with glorious production design by Paul D. Austerberry evoking the Baltimore of 1962 full of fascinating textures of faded glory, especially in the magnificent design of Eliza's apartment and hallways. Exquisite camera work by Dan Laustsen and beautifully designed costumes by Luis Sequiera contribute greatly to complete Guillermo Del Toro's vision.
This film is really the ultimate version of "Beauty and The Beast" with a touch of "ET", capped off with a very emotional investment, that pays off for the audience in its poetic and lyrical final scene.
Certainly one of the finest films of 2017.