First came the original trilogy, a popular success and critically acclaimed. Then, some years later, a second trilogy began, a prequel to the original, and the first installment of this second trilogy turned out to be awful. We saw this pattern play out once, with "Star Wars," and now, alas, it begins again, with "The Hobbit," a movie that is exactly one Jar Jar Binks away from being as bad as "The Phantom Menace." The problem may be built into the design. The previous "Lord of the Rings" films were each based on a single book. "The Hobbit" - more like a children's novel than the other three, a kind of "Tom Sawyer" to their "Huckleberry Finn" - is just one book, smaller than any of the other J.R.R. Tolkien books, and yet it is being blown out into three enormous films. This first installment runs 169 minutes. This puts a lot of pressure on a simple story, especially when you consider that director Peter Jackson and his screenwriters really can't take liberties with the tale, not without incurring the wrath of millions. They must work with what they have, and what they have is quite enough for one pleasing and inventive two-hour movie - or a nine-hour disaster stretched over three years. This pressure, this obligation to stretch everything to the limits of endurance and beyond, is felt from the film's early minutes. Howard Shore's beautiful theme music, from the previous trilogy, filters in. We see the idyllic Middle-earth countryside and are introduced to Martin Freeman as Bilbo Baggins - Freeman was born to be a hobbit; he is ideal casting - and we settle in for a magical experience. And then, slowly, a fatal distance opens up between what we're hoping and what we're actually seeing. Bilbo is a happy hobbit, a homebody who enjoys his creature comforts and doesn't have a violent impulse about him. Yet he is recruited by Gandalf the Grey Wizard (Ian McKellen) to join an expedition by dwarfs to retake their homeland from a dragon. See how quickly it takes to say that? Bilbo is recruited. Period. Yet the movie takes this tiny bit of crucial plot movement and dilutes its effectiveness: The dwarfs show up for an impromptu party at Bilbo's house. Bilbo frets about what the dwarfs will do to his house. Then the dwarfs clean up. Then Bilbo says he won't join their fight. But then he does. The film milks every detail of the text, every hint of vacillation in the main character, to turn water flowing downstream into molasses walking uphill. It must be said that if you plan to enjoy "The Hobbit," it really helps to love dwarfs. Others may prefer hobbits - they're adorably idiosyncratic, small, chubby, eat all day, have big ears, and they're incredibly sincere. Still others may prefer the Olympian elves - beautiful, pristine, sure and eternal. But there is only one hobbit in the entire movie, and only one brief sequence involving elves. Otherwise you're stuck with the dwarfs, who are like Vikings - boorish, slovenly, hearty and heavy-drinking - and not exactly lovable. The three "Lord of the Rings" were heavy on battle scenes, but "The Hobbit" is almost nothing but battles. Without a stopwatch, it would be hard to know for sure, but probably 50 percent of screen time is taken up with fighting - perhaps up to 80 percent if you count planning for and recovering from battles. Some of these battles have pockets of interest: A conflict with goblins plays out like a trapeze act, in three dimensions, with the combatants falling through space, landing and regrouping. But most of "The Hobbit" is like looking over Peter Jackson's shoulder to watch a computer screen. Occasionally, when the smoke clears, we get a glimpse of what "The Hobbit" might have been, had Freeman's quirkiness and humanity been given a chance to set the tone. The movie really springs to life only when Freeman dominates, as when Bilbo falls into a cave and discovers Gollum, looking like James Carville but acting like Peter Lorre. It's an encounter worthy of the "Lord of the Rings" trilogy - so is the all-too-brief scene between Gandalf and Galadriel (Cate Blanchett). If you loved the earlier films, these are moments you will hold on to, but they're very few, and they're not enough.
The Hobbit: An Unexpected Journey (2012) 1080p YIFY Movie
The Hobbit: An Unexpected Journey (2012) 1080p
A younger and more reluctant Hobbit, Bilbo Baggins, sets out on an "unexpected journey" to the Lonely Mountain with a spirited group of Dwarves to reclaim their stolen mountain home from a dragon named Smaug.
IMDB: 8.2389 Likes
The Synopsis for The Hobbit: An Unexpected Journey (2012) 1080p
Bilbo Baggins is swept into a quest to reclaim the lost Dwarf Kingdom of Erebor from the fearsome dragon Smaug. Approached out of the blue by the wizard Gandalf the Grey, Bilbo finds himself joining a company of thirteen dwarves led by the legendary warrior, Thorin Oakenshield. Their journey will take them into the Wild; through treacherous lands swarming with Goblins and Orcs, deadly Wargs and Giant Spiders, Shapeshifters and Sorcerers. Although their goal lies to the East and the wastelands of the Lonely Mountain first they must escape the goblin tunnels, where Bilbo meets the creature that will change his life forever ... Gollum. Here, alone with Gollum, on the shores of an underground lake, the unassuming Bilbo Baggins not only discovers depths of guile and courage that surprise even him, he also gains possession of Gollum's "precious" ring that holds unexpected and useful qualities ... A simple, gold ring that is tied to the fate of all Middle-earth in ways Bilbo cannot begin to ...
The Director and Players for The Hobbit: An Unexpected Journey (2012) 1080p
The Reviews for The Hobbit: An Unexpected Journey (2012) 1080p
Critics are right fans wrongReviewed byHurleyfanboyVote: 1/10
Peter Jackson's return to the world of Tolkien is rather weak. At first I was against the idea of such a small book being made into a trilogy. I still am. Many say not to compare this film to the far superior "Lord of the Rings" trilogy. Well, it's hard not to considering Jackson has tried so hard to recreate the style of the original films because that's what the audience wants. But he fails big time. The bizarre, unfunny, slapstick humor is painful. This involves snot jokes, burping, poop hair, and lame one-liners. Don't give me the "it's based on a children's book" crap. Sure, the source material was written for children but I'm talking about the movie. Adding all this stupid humor really messes with the tone; it doesn't feel like it belongs in the LOTR universe which "The Hobbit" is trying so hard replicate. The film will go from trying to be epic to pathetic gags. It doesn't work. I don't mind a little humor occasionally but this is just overdone and it makes the film feel very unbalanced. Now to the pacing. Many say the beginning is slow but they're wrong. The entire film is slow! Radagast's involvement is pointless and his bunny sled is ridiculous. We also get to see Saruman and Galadriel in a boring scene that has absolutely no relevance to the main narrative. Wait, what exactly is "The Hobbit" about again? Apparently Jackson is trying to make connections with LOTR, but "Fellowship of the Ring" already explains past events pretty well. Seriously, all the LOTR fanboy pleasing scenes could have been left out (including Frodo). But no, we need them in order to have enough material for the trilogy. Not good. And I understand that Jackson is taking material from the appendices of LOTR. I wouldn't have a problem with this if all these extra scenes actually advanced the plot. But the White Council just talks and they never decide to act on anything. Also, that scene has NOTHING to do with the dwarfs reclaiming their homeland. At least in "Fellowship" the plot makes major advancements but in "The Hobbit" the story hardly goes anywhere. Let's discuss the action. It's like watching a video game. The main orc villain, Azog, looks fake. Everything is CGI overload; there's no tension. Characters survive unbelievable situations. Compare the ending orc scene in this film to the one in "Fellowship." Huge difference. Unfortunately everything in "The Hobbit" is cartoonish. Not to mention most of the action has no impact on the story whatsoever. Now to the characters. Gandalf is great but that is to be expected. Martin Freeman does fine as Bilbo but his transition from weakling to hero happens a little too quickly and feels unrealistic. Thorin is your typical warrior like character; I didn't care for him too much. Bifur is probably my favorite of all the dwarfs (hold on, I just searched his name and realized I got the wrong one, his name is BOFUR, my bad). All the other dwarfs are just there and if you were to ask me to name them and describe something about their character, I couldn't do it. And I'm sure you couldn't either. But the film does have some good. We get to see Bilbo and Gollum interact in an iconic scene. The finding of the Ring is also significant and is really the only scene that should have any connection with LOTR unlike Galadriel, Frodo, etc. And that's about it. Honestly, nothing really happens. While watching "The Hobbit" you kind of forget about the main adventure because of all the padding. Then at the end you're like, "Oh yeah, there's a dragon." Maybe the second film will improve. It's such a shame that "The Hobbit" ended up being a drawn-out, bloated, boring mess that lacks compelling characters and an engaging story. I really wanted to love it but it's hard not to ignore the many problems. I couldn't wait to return to Middle-earth but now I'm not sure if I want to go back to this new cartoon version. Hopefully improvements will be made in the sequels but after witnessing this my hopes aren't too high. All these years of anticipation and this is what we get... *IMDb auto corrects the plural word for "dwarf" when it really should be dwar(ves)
"All great stories deserve a little embellishment." So says Gandalf the Grey (Ian McKellen) in the most telling line in The Hobbit: An Unexpected Journey, Peter Jackson's return to the world of JRR Tolkien. It's a line that clearly outlines Jackson and his co-writers' intentions, yet it comes off as a veiled apology, as if the film-making team knew that what they have created is going to be problematic for die-hard Middle Earth fans. Sadly, Jackson's new film doesn't come close to silencing the skeptics like his Lord of the Rings films did, and is actually more ill-conceived than expected. Things that do work well for the most part in The Hobbit are sequences that come directly from the source novel. Iconic scenes, such as the arrival of the dwarfs at Bag End or the encounter with the trolls are handled pretty well, despite being padded out to unnecessary lengths with lame gags and pointless alteration of the original events in the book. Juggling such a massive primary cast is obviously a challenge, and as such the film's best moments involve only one or two characters, with Bilbo's (Martin Freeman) meeting of Gollum (Andy Serkis) and the finding of the ring being a particular stand-out sequence, the only one that seemed like it could have used more time. However, all of the good work that Jackson & Co do with the direct source material is swamped by the content they felt they had to develop themselves. The great achievement of the LOTR films is how they managed to distill the huge source novels to their most important story beats, only hinting at most of the wider story in a way that brought incredible richness to the world in which they take place. With The Hobbit though, Jackson only has a 300 page novel to start with, and the decision to make three lengthy films, I assume to parallel the first trilogy, is precisely why this first film doesn't work. The Hobbit should be allowed to stand alone as its own film, but it is structured in such a way, almost identically to the first LOTR entry The Fellowship of the Ring, that it's all but impossible not to compare them. As a side-effect, the much lighter tone will be jarring for a lot of established franchise fans, the very people the film seems to be primarily aimed at. The chase sequence in the goblin tunnels for example is little more than an updated version of the Moria scenes from LOTR. It's exciting enough, but much of the action feels in service of the film- making technology on display rather than the story, and as such none of the stakes of the earlier films are built here. Where the LOTR films had to keep moving at such a pace to fit everything in, The Hobbit dwells on unnecessary moments which had only the briefest of mentions in the novel to reach its 2 hour 49 minute runtime. Most damaging are the call backs linking the previous trilogy, setting up what is likely to be an almost completely new story bridge between the two trilogies in the third film due in 2014. There is absolutely no reason for Frodo (Elijah Wood), Saruman (Christopher Lee), and Galadriel (Cate Blanchett) to appear in this story, yet here they are, taking us away from a perfectly good narrative about a quest to fight a dragon. It reeks of cynical franchise care, and arguably disrespectful to the carefully crafted world that Tolkien created. There's a good movie somewhere in The Hobbit, and had Jackson shown more restraint we might have seen it. The film could easily lose at least 45 minutes, but it feels as if director feels so beholden to his previous work that he needs to deliver an epic on the scale of LOTR. But that's not what this book is, and we're left with an uneasy balance - the lighter tone to distinguish this as a separate story but a strict adherence to the LOTR structure - but ultimately doesn't fulfill either side. tinribs27.wordpress.com