Sorry to Bother You (2018) 1080p YIFY Movie

Sorry to Bother You (2018) 1080p

Sorry to Bother You is a movie starring Lakeith Stanfield, Tessa Thompson, and Jermaine Fowler. In an alternate present-day version of Oakland, telemarketer Cassius Green discovers a magical key to professional success, propelling...

IMDB: 7.47 Likes

  • Genre: Comedy | Fantasy
  • Quality: 1080p
  • Size: 1.77G
  • Resolution: 1920*1080 / 23.976 fpsfps
  • Language: English
  • Run Time: 105
  • IMDB Rating: 7.4/10 
  • MPR: Normal
  • Peers/Seeds: 169 / 2

The Synopsis for Sorry to Bother You (2018) 1080p

In an alternate version of Oakland, Cassius Green gets a telemarketing job and finds the commission paid job a dispiriting struggle as a black man selling to predominately white people over the phone. That changes when a veteran advises him to use his "white voice," and the attitude behind it to make himself more appealing to customers. With a bizarrely high-pitched accent, Cassius becomes a success even as his colleagues form a union to improve their miserable jobs. Regardless, Cassius finds himself promoted a "Power Caller" selling the most morally abhorrent but lucrative products and services as his connection to his girlfriend and colleagues fades away. However, Cassius' conscience arises anew as he finds himself in the midst of his boss' bizarre world of condescending bigoted decadence and his sinister plans to create the perfect subservient work force with Cassius' help.


The Director and Players for Sorry to Bother You (2018) 1080p

[Role:]Jermaine Fowler
[Role:]Lakeith Stanfield
[Role:]Omari Hardwick
[Role:Director]Boots Riley
[Role:]Tessa Thompson


The Reviews for Sorry to Bother You (2018) 1080p


Worst Movie I've seen in a Very Long Time....Reviewed byterrortronVote: 1/10

Sorry to Bother You was a 1 hour 43 minute disaster. I was hoping for at least a few cheap laughs, but Sorry to Bother lacked a single redeeming quality. I even considered walking out several times during the movie.

Whomever is hyping this train wreck must either be an actor or a studio executive, because Sorry to Bother You isn't deserving of a single star. Yes, the movie is that bad.

Save your hard earned money, and go see something else.

A disappointing messReviewed bydebitspreadVote: 1/10

I wanted to like this movie, and it DID have a few admirable features, but the great bulk of it was squandered potential. I've seen articles about Riley's political philosophy -- which is fine. Unfortunately, he doesn't know how to write a script that will deliver on that promise. In the future -- if there is one -- maybe he'll develop some chops that will help him to focus and edit his story ideas.

Some people will like this picture, and to them I say: Great. Wonderful. Glad you had that positive experience.

I wish I had one of those. For me, though, it was just the opposite. I got bored after the first act and stopped rooting for the protagonist. After that point, I felt trapped.

All I can say is: Thank God for Movie Pass. I would be really bummed if I had spent my own money for this show. As it was, I "only" wasted 105 minutes of my life.

Crude ArtReviewed byview_and_reviewVote: 5/10

I would definitely classify this movie as artsy. By that I mean that the writer tried to convey a message in an indirect and flamboyant manner.

The appropriately named Cassius Green (Lakeith Stanfield) is a struggling, unemployed young man who wants to do something big with his life. He gets the opportunity when he's hired on at a telemarketing company. As he makes one sale after another he is offered the dream gig of being a PC (power caller). As a power caller he can change his life for the better but at what moral cost?

The first half of the movie was really good. It had a good flow to it, the humor was funny, and the plot was clear. The last half of the movie was different, almost like two different people wrote and directed the first and second half. The flow of it seemed to taper off, the humor waned, and the message became almost abstract. As it was I was trying to fully understand all of the visual and verbal non sequiturs but then I became a bit bewildered with the direction the film went. It sort of devolved into something crude and crass. I'm sure there was a point in that but I didn't see a need.

This was Boots Riley's writing and directorial debut. There was some promise here but I think it missed the mark. I hope he gets another shot to do another project and--whereas I don't want him to dumb it down or make it commercial--I'd like to see a more palatable movie.

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