Rendition (2007) 1080p YIFY Movie

Rendition (2007) 1080p

Rendition is a movie starring Reese Witherspoon, Jake Gyllenhaal, and Peter Sarsgaard. After a terrorist bombing kills an American envoy in a foreign country, an investigation leads to an Egyptian who has been living in the United...

IMDB: 6.84 Likes

  • Genre: Drama | Thriller
  • Quality: 1080p
  • Size: 2.33G
  • Resolution: / fps
  • Language: Arabic
  • Run Time: 120
  • IMDB Rating: 6.8/10 
  • MPR: Normal
  • Peers/Seeds: 2 / 1

The Synopsis for Rendition (2007) 1080p

After a terrorist bombing kills an American envoy in a foreign country, an investigation leads to an Egyptian who has been living in the United States for years and who is married to an American. He is apprehended when he's on his way home. The U.S. sends him to the country where the incident occurs for interrogation, which includes torture. An American C.I.A. operative observes the interrogation and is at odds whether to keep it going or to stop it. In the meantime, the man's wife raises hell to find him, but the person behind this refuses to help or give her any information.


The Director and Players for Rendition (2007) 1080p

[Director]Gavin Hood
[Role:]Alan Arkin
[Role:]Reese Witherspoon
[Role:]Peter Sarsgaard
[Role:]Jake Gyllenhaal


The Reviews for Rendition (2007) 1080p


Too many stereotypes, not enough passion to engage the audienceReviewed bysaaremanVote: 6/10

Reviewed at the World Premiere screening at Roy Thomson Hall, on Sept. 7, 2007 during the Toronto International Film Festival.

On the surface, this would seem to have everything going for it with a solid cast (veterans Witherspoon, Sarsgaard, Gyllenhaal, Streep, Arkin and new faces Metwally, Naor, Oukach, Khouas) a recent hot director (Gavin Hood, dir. of "Tsotsi", winner of the 2006 Oscar for Best Foreign Film) and a script on a current hot-button issue (the anti-terrorism law of extraordinary rendition which allows U.S. agents to transport suspected terrorists to off-shore sites where anti-torture laws do not apply).

Somehow each of the cast members, perhaps due to the number of major characters involved and thus the reduced screen time allowed for each, come across as superficial stereotypes - the distraught expectant mother, the ex-boyfriend who tries to help, the CIA agent with a conscience, the cold hearted CIA executive, the pragmatic senator, the torture victim, the secret police torturer, the torturer's daughter with a secret boyfriend, the boyfriend with a secret). You're not with any of the characters long enough to identify with them much and when it all gets tied up together in the end a bit too neatly you're just left feeling disappointed and cheated.

Early reviews seem to be mostly praising this but the friend whom I saw it with and another veteran TIFF goer that we see in various line-ups had the same sense of disappointment.

The film just seems too desperate to make it all relevant as it tries to inspire our shock at the wrongs being perpetrated in the name of the anti-terror wars but it mostly comes across as clichéd rather than natural. When the Gyllenhaal character finally builds up the will to act on his moral outrage you're just not convinced about how he's made this character arc as he has spent the first 3/4's of the film either stunned by the effects of a suicide bombing that takes place before his very eyes and then drinking himself into a stupor while occasionally taking time out for an illicit office romance or to bark an order to underlings. It seems Gyllenhaal is the protagonist we are meant to identify with but he is too weak-willed to inspire much audience sympathy. Witherspoon as the distraught expectant mother has more of an immediate draw on our heartstrings but doesn't kick off the expose on the U.S. side of the things which we are pulling for her to do by soliciting help from ex-boyfriend Sarsgaard (who works for Arkin's senator character) after her Egyptian-American husband goes mysteriously missing after a trans-Atlantic flight. There are at least a few moments of fireworks when Witherspoon at least briefly gets to confront the CIA exec played by Streep who is pulling the forced extradition strings behind the scenes, but a few seconds of confrontation doesn't make up for the 90 minutes of gradually increasing tedium that it takes to get there and we still have about 30 minutes to go in the plot after that highpoint. The subplot built around the head police torturer and his family in an un-named North African country is more engrossing and a neat twist is pulled off in that storyline but that wasn't enough to save the picture for us.

I had really been looking forward to this film but something just seemed to be missing in the way it pays off the different plot lines.

A much needed wake-up call?Reviewed byAnonymous_MaxineVote: 10/10

Extraordinary Rendition is a frightening practice authorized, surprisingly, under Clinton, that allows the U.S. government to seize and hold anyone suspected, seemingly for any reason, of being a terrorist against the United States. This is a touchy issue, especially after 9/11, because supporters of the practice will always criticize the opposition as withholding vital power from the U.S. that it needs to effectively fight terror. Fanatic supporters will label the opposition as terrorists in themselves.

But like a recent film that lent a similar level of humanity to the death penalty, The Life of David Gale, Rendition shows us a story of the misuse of extraordinary rendition, or at least the ease with which it can be exploited and falsely applied. The story involves Anwar El- Abrahimi, an American chemical engineer born in Egypt who is seized on his way back to America from giving a lecture in Egypt. The cause given is that he made phone calls to a known terrorist. No proof is ever given (or needed) that it was Anwar that made the calls, that his phone was never lost of stolen.

Meanwhile, Anwar's extremely pregnant wife, Isabella, is back in the states frantically trying to find her husband, who got onto a plane to Chicago but apparently never got off. The flimsy explanation that he was never there evaporates when she discovers that he made an in-flight purchase using his credit card.

Lately I have been researching modern Chinese history, particularly that of the astonishingly selfish and brutal dictatorship set up by Mao Tse-tung, and it is more than a little frightening to see the similarities between extraordinary rendition and some of Mao's brutal scare tactics, including his public executions (which the people were forced to watch), and extensive use of torture specifically used to extract "confessions."

It is pretty disturbing to notice that Mao specifically did these things to create an environment of fear in order to achieve obedience from the Chinese people. To say that the Bush administration has not created an environment of fear and continues to milk it for everything it's worth would be na?ve in the extreme, and although extraordinary rendition was not created under Bush, it is clear that it does more harm than good.

Adding to the thickness of the film is Douglas Freeman (Jake Gyllenhaal), who works behind a desk for the CIA and has little field experience, until his boss is assassinated and he suddenly finds himself supervising the torture of a man that he quickly comes to doubt has anything to reveal. Fatima's (Freeman's boss) daughter also plays a pivotal role, as does a senatorial aide played by Peter Sarsgaard, who might have the most satisfying role in the movie. Meryl Streep is also suitably cold and clinical as a chilly senator with a dogmatic support of the necessity and practice of rendition.

As a political thriller, the movie is remarkably well-crafted and paced. But the scariest thing about it is that this is all real. The movie's goal is to get people to really think about the things done in America's name, especially when they claim to be done to prevent those same things. Conducting terror in the name of preventing terror will win no sympathy for us, nor will extracting confessions through brutal torture, which is the basest form of criminal investigation.

Unfortunately, we are gradually heading in that direction, of doing these things more rather than less. The frightening question is what is the event that is going to take place at some point in the future to convince us to stop and head the other way, toward civilization and peace, or will we just keep heading toward a military dictatorship until we finally get there?

Rendition: an unfortunate new word to add to our sense of shameReviewed bygradyharpVote: 9/10

RENDITION accomplishes a lot in presenting a story that is tough to watch, tougher to believe, and for all that is a tremendously involving and electrifying movie. It is definitely a message film but that message is delivered by a smart script, a compassionate director, and a dream cast.

But first the word rendition: according to the dictionary, "In law, rendition is a "surrender" or "handing over" of persons or property, particularly from one jurisdiction to another. For criminal suspects, extradition is the most common type of rendition. Rendition can also be seen as the act of handing over, after the request for extradition has taken place." For many this may not be news, but for those who are not privy to our Intelligence games, the concept is a terrifying one. For this film Kelley Sane has provided director Gavin Hood with a script that examines the horrors of rendition and in doing so the two have created a story we simply cannot ignore.

Anwar El-Ibrahimi (Omar Metwally) is an Egyptian-born American working in South Africa as the film begins: his very pregnant wife Isabella (Reese Witherspoon) awaits his return home but when Anwar doesn't appear at the airport, the enigma begins. Anwar has been taken prisoner in Egypt where he is tortured and interrogated for information by the cruel Abasi Fawal (Yigal Naor) while a reluctant CIA investigator Douglas Freeman (Jake Gyllenhaal) stands by, the two attempting to extract secrets to be provided to the USA: behind the scenes in Washington DC the extraordinary rendition is piloted by Intelligence expert Corrine Whitman (Meryl Streep). Isabella attempts to uncover the truth of her missing husband's whereabouts and involves an old friend (Peter Sarsgaard) to help her. Nothing goes well, not in the US or in Egypt, where the interrogator Abasi discovers the evil that is brewing within his own family. It is Isabella's persistence, Anwar's endurance, and the ultimate heroism of Douglas Freeman that allow the resolution to the nightmare.

The cast is uniformly strong, the grim realities of the torture chambers are almost unbearable to watch, and the in-our-face discovery of how our Intelligence system works (especially since 911) is terrifying. Added to the DVD is a short film about two men who talk about personal experiences with 'rendition'. It is a kick in the gut and demands action from the viewer to become an activist in preventing the continuation of these tactics. Grady Harp

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