Inspired by 70's and 80's horror, it follows is a refreshing psychological horror film with a simple premise and a chilling concept. The cinematography is electrifying, every shot is beautiful and the score holds brilliance, it carries a very obvious John Carpenter vibe to it. The tension is raw, avoiding cheap jump scares and relies on music. Its eerie atmosphere is extremely effective keeping you inches above your seat for the majority of the runtime. The characters are interesting, providing depth and emotional attachment, most modern horror films seem to forget the importance of character development, its nice to see the genre hasn't completely lost it yet. There are several jumps scares, but they work, as they are not carried with unnecessary piecing music jolts but with the use of disturbing and sudden imagery. The only errors I could detect were the unconventional editing style, the transitions were a little dodgy lacking fluency, this left the film to appear choppy at times but this flaw can be easily forgiven. Its outstanding cinematography and soundtrack make up for this. The film leaves a daunting stain of disturbing after effects that follow you for a long while, with a constant reminder to always check behind your back. An exceptional low budget indie horror film, strongly recommend.
It Follows (2014) 720p YIFY Movie
It Follows (2014)
A young woman is followed by an unknown supernatural force after getting involved in a sexual encounter.
IMDB: 7.359 Likes
The Synopsis for It Follows (2014) 720p
For nineteen-year-old Jay, Autumn should be about school, boys and week-ends out at the lake. But after a seemingly innocent sexual encounter, she finds herself plagued by strange visions and the inescapable sense that someone, something, is following her. Faced with this burden, Jay and her friends must find a way to escape the horrors that seem to be only a few steps behind.
The Director and Players for It Follows (2014) 720p
The Reviews for It Follows (2014) 720p
A Modern Horror ClassicReviewed bySushiStoner103Vote: 8/10
It Follows is a horror film made for horror fans, and it's about time one of those came around again. This is a movie that was light on the jump scares, which is a delightful change of pace. In the past few years more and more horrors have relied on jump scares to make up for the true scariest part of any horror film, the sense of dread. Dread is felt in this movie almost immediately because it combines so well with the tone, another forgotten about ingredient in horrors. There is no real way to explain the plot of this film without it coming across like a more twisted game of "tag," which played a part in exactly how many people I could talk into seeing it after the mixed feelings from the trailer. That being said, the film breaks a lot of the norms set by today's "scary" films. This is a movie that knows what it's doing, and its main concern is to make the audience feel as if they are a part of the experience with the sense of realism. With the enemy being as far-fetched as it may come across in conversation, it's easy to get caught up in the surroundings of the characters looking for "it." Having to watch over the characters' shoulders throughout the movie makes it all the more frightening when something IS seen, and there's never a sense of safety. It Follows takes a good deal from the greats in the horror genre, namely Halloween. I recall a great deal of times thinking "wait, that was in Halloween," where the background is scarier than what could pop up out of the shadows with some loud sound surrounding it. The score in this movie is simply unnerving and remarkable. It adds to the tone and creates an even more frightening and uncomfortable feeling when "it" has appeared. It was as if I were watching a great Carpenter movie in the theater, and it's been a great while since such a possessing and haunting score has come along. It truly is like another character in the movie, but used so well it adds to already-present uneasy feeling that one has while watching. It Follows delivers where other recent horrors have failed, it creates memorable moments and characters which the audience feels for. Also unlike recent films, there is no way to predict what direction the movie will take, and there is finally not a completely predictable ending. Horror movies have taken easy ways out and desensitized the audience throughout by having things jump on screen which make the "big moments" feel insignificant and forgettable because audiences have been jumped at so much they just don't care anymore and they're ready to see "the monster die" (I'm oversimplifying of course, but the intent is clear). Meanwhile, this film has (quietly) some of the most memorable terrifying sequences of the decade thus far. Of course, I'd have a useless review if I didn't address the performances of It Follows. All of the other elements I've brought up in the review were almost created by, and greatly assisted by, the acting. If the acting is bad (which is a common thing in horrors), then it's hard to make anything else believable, which distances the audiences and takes away a lot of the sense of terror. The acting is so real by the cast that they make this plot seem genuine. They're not the usual teens that the audience can scream "why did they not think of.." or "I would've.." at. They address the horrifying situations as real people would, they're not magically filled with some convenient insight and they're not face-palmingly idiotic, either. In a year filled with soon-to-be many blockbusters and money makers, It Follows will be remembered by many as one of the best of the year. It is a film that embodies all things horror, and pays great homage to what made people adore the genre. Like a good brand of medication, without the side-effects, It Follows is what the genre needed and is, to me, one of the best horror films of the decade to this point. With all of the key ingredients in place, we've got a great film here. 9/10.
It is indie horror films like 'It Follows' that are the reason why i still have much faith in future of the horror genre. Whenever a film like this comes out where it manages to scare you from start to finish without using jump scares and other modern horror movie cliches i get really excited. This film utilised amazing camera techniques and sounds that alone just absolutely scare the crap out of you just like old, classic horror films used to. I found myself constantly trying to hide from the screen because the imagery was just so damn terrifying. Much of the film uses the idea that someone might be following you at all times to get you to always be in fear no matter what is happening. As well as being a device to scare the living daylights out of you it really helps to keep the story moving and adds to some pretty major plot points. Also there are scenes where this mysterious thing actually shows up and that is just the stuff of nightmares. I felt like a little kid looking up and getting the life scared out of me by anything that looked even remotely weird. In terms of the plot, the film does well to stay away from 95% of predictable moments and that really helps in a horror film so you don't have much time to brace for a huge scary moment (not a jump scare). In terms of performances, i thought they were pretty good all round, with the standout being Maika Monroe who i also remember did a great job in The Guest last year. You always bought into her actions and the way she reacted to certain events which made the film a lot more believable. Where the film let me down was towards the end. The ending sequence of the movie was still pretty damn terrifying but not as terrifying as the rest of the movie, it felt a little cheesy or messy and i was just taken out of the film for a little over 10 minutes. Not only did the ending sequence disappoint me but the very very end didn't work for me, there are quite a few films that do this and sometimes it works, but sometimes it doesn't and this time it didn't. So despite a disappointing ending, this directorial debut for David Robert Mitchell will keep you up for days with endless nightmares. - 8.1