Ismael's Ghosts (2017) 1080p YIFY Movie

Ismael's Ghosts (2017) 1080p

Les fant?mes d'Isma?l is a movie starring Mathieu Amalric, Marion Cotillard, and Charlotte Gainsbourg. The story follows a filmmaker whose life is sent into a tailspin by the return of a former lover just as he is about to embark on...

IMDB: 5.62 Likes

  • Genre: Drama | Romance
  • Quality: 1080p
  • Size: 2.13G
  • Resolution: 1920*1080 / 23.976 fpsfps
  • Language: English
  • Run Time: 110
  • IMDB Rating: 5.6/10 
  • MPR: Normal
  • Peers/Seeds: 3 / 4

The Synopsis for Ismael's Ghosts (2017) 1080p

Twenty-one years ago, she ran away. And twenty-one years later, Carlotta (Marion Cotillard) is back from the void. But Ismael (Mathieu Amalric) has been busy rebuilding a life for himself with Sylvia (Charlotte Gainsbourg) and working on his next feature film. As Ismael's trials and tribulations unfurl, so too do those of his film's protagonist: the idle, funny and reckless diplomat Ivan Dédalus (Louis Garrel). The character is a nod to the ghost of another of Desplechin's creations, the brother of Paul Dédalus, three-time hero of "My Sex Life - or How I Got Into an Argument," "A Christmas Tale" and "My Golden Days." A film within a film - and then some, Desplechin layers narrative upon narrative. With ISMAEL'S GHOSTS, Desplechin returns once more to the past, creating film after film as his way of stepping back in time, and proving yet again that his brand of genius lies in his ability to find light in the darkest of places.


The Director and Players for Ismael's Ghosts (2017) 1080p

[Director]Arnaud Desplechin
[Role:]Mathieu Amalric
[Role:]Marion Cotillard
[Role:]Louis Garrel
[Role:]Charlotte Gainsbourg


The Reviews for Ismael's Ghosts (2017) 1080p


Top actresses lost in messy screenplayReviewed byrubenmVote: 4/10

The basis for a good film is always a good screenplay. Because the screenplay of 'Les fant?mes d'Isma?l' is a mess, the film is a failure. What is undoubtedly meant as an intelligent multi-layered story highlighting the many aspects in the life of a film maker, is in reality an incomprehensible hodgepodge of subplots going nowhere.

Right from the very beginning, the viewer is confused. The first few scenes are not scenes from the film we're watching, but from a film within the film, which is being shot by lead character Isma?l. The main plot item, however, is the return of his wife, who has been missing for 20 years and was presumed dead. This in itself can be fine material for a well-acted drama, exploring the way the husband, his girlfriend and his long lost wife cope with this new situation. With multiple award winning actresses like Charlotte Gainsbourg and Marion Cotillard on hand, this would seem to be the most logical option.

Instead, the viewer is offered a myriad of increasingly complicated side-stories, flash backs and dream-like sequences, culminating in a laughable scene of the tormented film maker shooting his own executive producer by accident. I have no doubt this film tries to make a point, but I'm afraid only the director knows which one. Unless you're a fan of French pseudo-intellectual art-house dramas, this film is to be avoided.

Save your moneyReviewed byreply-3Vote: 2/10

This film is a stinker. The premise seems interesting enough - a woman disappeared 20 years earlier, the husband and family not sure if she was dead. Other than that, the film goes downhill fast. The plot is boring, and the film jumps around to various sub-plots. The dialog is bad - the characters speak in a way that you shake your head and say "Who speaks like that in real life?" Not sure if it's a translation issue, but this seems to be consistent throughout the movie.It's basically a movie about the dialog, not so much the weak, unbelievable story. You really don't care about the characters. To add to the torture, the movie is over 2 hours long, so the suffering is extended. Avoid it like the plague.

I have never seen so many people leave the cinemaReviewed byjdrennan13Vote: 4/10

As many have said, the premise of this film is very good, but it is lost in a mess of structure that would shame must university film society. It is a number of stories within a story, which lose momentum as the film continues. The main plot is the sudden reappearance of a film maker's wife after an absence of 21 years, but this is submerged by unnecessary interludes.

I watched the film at the French Film Festival in Sydney, and throughout the film people trickled out, not returning. What kept me was the excellent acting as ever from Cotillard and Gainsbourg, but you honestly wonder why and how they signed up for such a messy screenplay.

If this film was a blind date, it would talk erratically at you for nearly two hours, then leave abruptly for no reason. Avoid.

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