Downfall (2004) 720p YIFY Movie

Downfall (2004)

Traudl Junge, the final secretary for Adolf Hitler, tells of the Nazi dictator's final days in his Berlin bunker at the end of WWII.

IMDB: 8.24 Likes

  • Genre: Biography | Drama
  • Quality: 720p
  • Size: 1.29G
  • Resolution: 1280*800 / 23.976 fpsfps
  • Language: English
  • Run Time: 156
  • IMDB Rating: 8.2/10 
  • MPR: Normal
  • Peers/Seeds: 22 / 155

The Synopsis for Downfall (2004) 720p

In April of 1945, Germany stands at the brink of defeat with the Soviet Armies closing in from the west and south. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his Generals and advisers to fight to the last man. "Downfall" explores these final days of the Reich, where senior German leaders (such as Himmler and Goring) began defecting from their beloved Fuhrer, in an effort to save their own lives, while still others (Joseph Goebbels) pledge to die with Hitler. Hitler, himself, degenerates into a paranoid shell of a man, full of optimism one moment and suicidal depression the next. When the end finally does comes, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.


The Director and Players for Downfall (2004) 720p

[Director]Oliver Hirschbiegel
[Role:]Alexandra Maria Lara
[Role:]Bruno Ganz
[Role:]Ulrich Matthes


The Reviews for Downfall (2004) 720p


Amazing realismReviewed byHermes BrandtVote: 9/10

Der Untergang makes you live the horrors and craziness of war. Bruno Ganz's interpretation of Adolf Hitler is worthy of an Oscar. He is completely believable. Also the rest of the cast performs admirably. You feel transported to Berlin as it was bombarded by the Russians. You get a very clear insight (or an impression?) in how the military decisions were taken during those final days of the war. The movie balances well between large-scale effects of bombs exploding in ruined streets and depictions of different persons going though the experience ? from Hitler and his staff in the well-protected bunkers to the principal military commanders torn between reason and loyalty and German civilians trapped in an inferno. The movie is neither pro-Nazi nor does it depict all Nazis as mindless monsters. It gives an impression of utter realism. Go see it in a good cinema ? your seat will tremble as the bombs explode. A nine out of ten.

The Most Impressive, Depressive and Realistic Dramatic Movie about the World War IIReviewed byclaudio_carvalhoVote: 10/10

"Der Untergang" is certainly the most impressive, depressive and realistic dramatic movie about the World War II ever made. I have never seen a film picturing the insanity of Hitler in his very last days in a bunker in Berlin with his high command, and how the German people were hypnotized by him like in this film. Last year, I saw the deceptive, boring, pretentious and overrated "Molokh", showing a caricature of Hitler and Eva Braun in Bavaria. But "Der Untergang" is awesome and comparable to "Apocalypse Now!", my favorite movie of war.

Two years ago, I saw the powerful "Das Experiment" and I was impressed with the work of Oliver Hirschbiegel. With "Der Untergang", this director is certainly included in my list of favorite directors. It is difficult to highlight one actor or actress in this constellation of stars, but I was impressed with the performance of Bruno Ganz and his "human" Hitler, totally different from the stereotypes usual in other movies. The cinematography and the battles are stunning, and the scenario of Berlin completely destroyed recalled the neo-realistic movie of Roberto Rossellini "Germania Anno Zero".

For those who know Germany and German people, it is amazing to see how this wonderful country survived to the chaos, destruction and lack of command, arrived from the ashes like Phoenix and sixty years later is again one of the greatest nations. For those who might have believed in Hitler and his Nazi Party, it is impressive to see how people is forgotten and treated without compassion by their leader in his last hours. And for those who love war, I really recommend to watch this magnificent anti-war movie, and see the behavior of the leaders and population when a war is lost. My vote is ten.

Title (Brazil): "A Queda! As últimas Horas de Hitler" ("The Fall! The Last Hours of Hitler")

An excellent rendition reflecting historiographical trends of the past years.Reviewed byWChewIIIVote: 10/10

"Der Untergang" ("The Downfall") portrays life inside (and to an extent outside) the "Führerbunker" in Berlin during the last few weeks prior to Hitler's suicide in April, 1945. The screenplay was written by Bernd Eichinger, who has had previous experience with the adaptation of historical material for cinema, and done a commendable job in the process. I am, of course, referring to his screen version of Umberto Ecco's historical novel "The Name of the Rose (1986). Some of Eichinger's other credits include "Body of Evidence" (1993, which he co-produced) and "The NeverEnding Story" (1984, as producer).

Few movies have stirred up as much controversy even before their release, as has "Der Untergang." So what was all the fuss about, and was it warranted? After all, how many films have been made about Hitler already, including several about Hitler in his Berlin bunker. There is nothing especially controversial about the subject matter per se. What is more, Hirschbiegel and Eichinger appear to have done their homework, basing the film extensively on German historian Joachim Fest's acclaimed book of the same name (2003). Events are portrayed largely through the eyes of Traudl Junge, Hitler's private secretary from 1943?when the film opens with a flashback sequence to her job interview and appointment?to his death. Her memoirs, and interviews conducted before her death, constitute a further source for the film. The Führer himself is played magisterially by Bruno Ganz, who clearly spent countless hours studying Hitler's public speeches, as well as rare footage of the private man, not to mention recordings of his voice. For a historian like myself, who has viewed and listened to much of the material myself, it is uncanny how right Ganz gets it. Inflection, tonality, accent?they are all there. As are gestures and body language. This film has to be seen in the original, even if you don't understand German.

So if there is little in the way of subject matter, preparation, historical consulting, and prime acting to fault, why then the controversy? The approach and interpretation were at the root of the hullabaloo. Interviewed while the film was in the making, Eichinger explained that he would portray Hitler "as a man, as a human" ("wie ein Mensch.") This was revolutionary in cinema, where renditions of the Nazi leader have?pre-Eichinger?still not gone far beyond the "evil-dictator" approach. You might reasonably query what is wrong with the "evil dictator" approach, given the accepted fact that he was, indeed, evil. From a historian's perspective, everything is wrong with that approach, and Eichinger had the courage to transcend it for the broad public.

The first two decades of post-World War II historians pretty much demonized Hitler, as did all movies before "Der Untergang." This was understandable, at the time. Wounds were still fresh, denazification was under way, Germans were seeking a new democratic identity aligned with the West, and the issue of "collective guilt" was touchy. Solid, balanced biographies of Hitler had not yet been written, and historical understanding of how it was possible that a highly cultured people such as the Germans could have been led astray was only just beginning to take shape. But with the 1964 revision of Lord Alan Bullock's "A Study in Tyranny" (1st ed. 1952) and Joachim Fest's "Hitler: Eine Biographie" (1973) professional historians started putting demonetization to rest and instead began to explain. And this meant accepting the perhaps distasteful tenet that Hitler was, after all, a man, and not some kind of deranged satanic figure from hell. Sir Ian Kershaw, Professor of Modern History at the University of Sheffield, has taken things even further, in his highly accessible two-volume (2000 page!) magnum opus which has now become the standard biography (published 1998-2000). For Kershaw has not only reconciled the internationalist (or "Hitler-centric") approach, which focuses on Hitler as linchpin and leader of the Third Reich, without whom World War II and the Holocaust are unthinkable; with the structuralist approach, which links Hitler and his "enabling" to social, political and cultural structures in Weimar Germany. Kershaw has also gone a long way towards meeting the desideratum of German historian Martin Broszat, uttered as far back as the 1970s, for the "historicization" of Third Reich history, meaning its firm embedding in overall German, European, and indeed World History, rather than its artificial isolation as an "aberration" or a "German special path" ("deutscher Sonderweg.") This, then, is the proper historiographical context of "Der Untergang." In effect, the film almost belatedly follows trends in scholarship that have been developing for some time now. Of course, the general public is hardly aware of such developments. So in a sense, the film is something of a vulgarization, a kind of dramatization informed by the best scholarship. The film does not explain, for it is, after all, not a documentary with the voice-over of a historical consultant cum narrator. That is not its purpose. What it does, however, is provide an excellent sense of Hitler in his declining days, increasingly delusional if perhaps not outright insane, but still able?almost to the bitter end?to maintain a hold on his closest followers. Not to mention the unreality of life in the sheltered bunker, while outside the Russians are advancing through Berlin suburbs, held back only by a pathetic hodge-podge of Hitler youth and tired old men drafted into service in the Volkswehr. From all accounts I have read, from the pens of scholars English, American and German, I can say with a high degree of certitude that this film provides a reasonably authentic recreation of what it must have been like. Or in the words of Leopold von Ranke, "wie es eigentlich gewesen." What higher acclaim can a historian provide?

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