Having just finished American Psycho, I came to IMDB to get some clarification on the ending. And it seems I'm not the only one left vaguely adrift by the ambiguous ending. I've browsed some of your comments, not all 400+ to be sure. But some of them. A good sampling I think, and this movie has three distinct cheering sections. Those who consider it a masterpiece, those who consider it unredeemable, boring trash, and by far the largest segment, those who see it as a flawed masterpiece. I fall into the latter category. And no, I did not read the book. But as others have stated any movie that requires you to read the book, to "get" the movie, is ultimately a failure as a movie. So my review is based solely on the merits of the film. And contrary to what some have said, the film does have many merits. I found it brilliantly directed, and a superbly acted examination of excess, and boredom, and evil. An examination, satire, critique of a time, and type of thinking. Even before seeing the ending, I thought how much bateman lives in people. Found myself thinking, an examination of bateman is an examination of men by the name of Reagan and Bush. How American Psycho is an examination of our times, and our modern theologies. I found the movie as a whole riveting, loved the restraint shown (and disagree with those calling for more gore, I think Mary should be applauded for her deft hand, the scenes have more power for what is not shown), and was captivated by nearly every scene, by scenes others have called boring, but I found profound. Bateman putting on his makeup, or simply trying to get a restaurant, and the near apocalyptic importance, such minutiae makes in the lives of empty men. The right card, or the right cloth, or the right table, or the right watch, how these are the signposts of an empty age and an empty soul, and how these things have more value than your fellow man... or woman. Bateman attains everything the materialistic times tells him he should want, but once he gets it he feels nothing. Emptier than before, less than before. It's only in the extremes of his addictions he begins to feel something, anything. He feeds to fill the emptiness, but the more he feeds the emptier he gets. He eats at his fellowman (woman) but in his bloodlust he eats at himself. He is the American dream, taken to its cannibalistic extremes. And never before has makeup, played such a mesmerizing part in a movie. Bateman's(Chris Bale's) face at times when he is under stress, takes on a plastic look, a glossy, sweaty sheen, and for all the world it looks like he's wearing a mask... and the mask, his mask of sanity, is beginning to run. Simply amazing use of makeup. And incredible performance by the lead actor. I wasn't familiar with him before this, but everyone will be after this. Upon first hearing about this movie, I had no desire to see it. I've grown up since the age of Hills Have Eyes and trash like The Beyond, watching people suffer no longer seems significant. I guess as we get older we ask more of our art than springer, or the WWF, or slasher flicks. We ask of our art to tell us something true. Something of ourselves, and our world. I think American Psycho under the deft hand of Mary Harron becomes more than my prejudices, and exceeds my expectations. Rises at times to dizzying heights not unlike art. Mary's restraint makes this movie. But I fear her restraint nearly sinks it as well. The ending is too ambiguous. Who is Bateman in the end. Is there a Bateman? And what did he do or did not do? In the end,the movie will nag at you. Did he or didn't he? And in the end, now that I write this I'm thinking maybe the answer doesn't really matter, maybe in the end the answer is the same. In the end a sin of thought, or a sin of action, is still a sin. In the end we are left with a man, and a nation... whose mask is slipping. I think like the first Psycho, time will prove this one.... worthy. I now add Mary Harron to the small selection of modern directors I will tiptoe through broken glass to see. Directors like Dave Fincher(Seven, Fight Club), Carl Franklin(Devil in a Blue Dress), Johnny To(Expect the Unexpected), Ringo Lam(Full Alert, Victim), M. Night Shyamalan(Sixth Sense, Unbreakable), and Peter Weir(Fearless). Recommended.
American Psycho (2000) 1080p YIFY Movie
American Psycho (2000) 1080p
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
IMDB: 7.646 Likes
The Synopsis for American Psycho (2000) 1080p
Patrick Bateman, a young, well to do man working on wall street at his father's company kills for no reason at all. As his life progresses his hatred for the world becomes more and more intense.
The Director and Players for American Psycho (2000) 1080p
The Reviews for American Psycho (2000) 1080p
A film that teeters between Miracles and ManiaReviewed bygrendel-37Vote: 9/10
In 1991, Bret Easton Ellis' controversial novel "American Psycho" took the world by storm ? women accused it of being misogynist, sexist filth and others were understandably shaken by its brutal and graphic depictions of unprovoked violence and torture. Set in the 1980s, the book follows the story of a 27-year-old Harvard graduate named Patrick Bateman, who goes on a killing spree and murders "twenty, maybe forty people." It was originally slated for circulation in 1990, but Random House pulled out of distribution, fearing backlash. It was later released as part of a Vintage Series, and quickly sold over 250,000 copies, becoming one of the most popular (and, to some, important) literary works of our time. In the movie, Welsh actor Christian Bale portrays Bateman gleefully tongue-in-cheek, whether it's confessing to manslaughter over the phone ("?I just had to kill a lot of people!") or dancing to Huey Lewis and the News' "Fore" album before hitting an associate over the head with an axe. Patrick is a troubled guy. On the surface, he appears to be normal ? he's a Wall Street broker with a secretary, an expensive apartment suite, his own limo and a fancy business card. But on the inside, he's a monster ? complete with an insatiable blood lust and lack of empathy for fellow human beings. (If he can indeed be classified as one.) As a film and a novel, "American Psycho" is an attack on the absurdities of the '80s yuppie era ? sometimes the satire isn't very subtle, in fact it's often made very clear, but I liked it. Because the movie is so eccentric and over-the-top, and Bale is so loony and maniacal, the satire needs to be equally strong ? and it is. Whether it's business men drooling over each other's fetishistic business cards or Patrick discussing the nuances of modern pop music before killing more victims, "American Psycho" hits strong and hard ? this is a great, overwhelming cinematic and visual experience. It cannot be condemned for being unsubtle ? it never was. The performances are wonderful. Bale is superb as Bateman, totally embodying the character. As a man bewildered by his environment, and wanting only desperately to fit in, Bateman listens to Genesis and "Hip to Be Square"; finally we have proof that too much Phil Collins and Huey Lewis will turn you into the next Ed Gein. Perhaps some fans of the novel will dislike Bale's performance (at times, it almost seems comical, such as when he murders his coworker Paul Allen, played by Jared Leto). But I thought it was the perfect mix of introspection, self-hatred, outer-loathing, lust, conformity and schizophrenia. Bale manages to capture all of this perfectly, and by the end of the film, I could not imagine anyone else in the role. Willem Dafoe, Chloe Sevigny and Reese Witherspoon all have co-starring roles, but at the end of the day it is Bale who really drives this film home ? he's the reason it's worth seeing, and in part the reason it exceeds beyond the typical restraints of its genre. Since its release, many critics have accused "American Psycho" of being a watered-down version of the book, being both "politically correct" and "lacking satire." However, I don't recall the last time I saw a man beat a dog to death with the heel of his shoe in a mainstream motion picture. Or chase after a prostitute completely naked, wielding a bloodied chainsaw. Or hold a gun to a cat's head and threaten to feed it to an ATM machine. In fact, when "American Psycho" was previewed before the Motion Picture Association of America, they gave it an NC-17 rating ? not for its violence, as one might expect, but rather for its threesome scene between Patrick and two prostitutes. Director Mary Harron cut footage from the film and finally managed to achieve an R-rating, but on a new "Uncut Killer Collector's Edition" DVD, you can see the film as it was intended to be seen ? and it's a real fine treat. Now excuse me, I have to go return some videotapes.
AMERICAN PSYCHO / (2000) **** (out of four) Patrick Bateman: I think my mask of sanity is about to slip. ---"American Psycho" The average filmmaker would turn "American Psycho" into an exploitative slasher flick, but Mary Harron and Guinevere Turner have adapted the controversial novel by Bret Easton Ellis into something unique and intriguing, a brilliant, thought-provoking social commentary thriller. Readers criticized the decade old novel because of its graphic violence, but that doesn't cause Turner and Harron to give into the controversial material. I have never read the book, but after watching "American Psycho," I intend to. It's a scathing, rare film that probes our imagination and beliefs while experimenting with true psychological terror. It often makes startling switches between scenes of dark comedy and sequences that portray unsettling, graphic images. Director Mary Harron says in the film's press notes that she wanted all but one of the violent sequences to be disturbing. The amount of blood and violence here is certainly extreme, but considering the nature of the beast, not overly abundant. The film calculates every single act of violence, therefore, the victims are seldom random characters, but people we care about, which is why the scenes are so timely and effective. The best description of the film's main character, Patrick Bateman (Christian Bale) comes from Christopher Lehmann-Houpt of The New York Times. "Patrick Bateman lives in a morally flat world in which clothes have more value than skin, objects are worth more than bones, and the human soul is something to be sought with knives and hatchets and drills." Both leading actors in "American Psycho" have previously portrayed Jesus Christ, Willem Dafoe in "The Last Temptation of Christ," and Christian Bale in "Mary, Mother of Jesus." Talk about versatility. It's probably not a coincidence that Christian Bale was the initial actor of preference for Mary Harron. If an actor can display such a fascinating performance as Jesus Christ, he's more than capable of playing a psychotic serial killer because he already knows the other side of the moral spectrum. Through the strong central character, "American Psycho" suggests several themes about the 1980's, including society's obsession with outer perfection, conformity, the rising threshold of material fetishism, and the strong desire of stimulation by drugs, sex, money, and power. Patrick Bateman isn't given a back story, however, and the movie doesn't offer his personal history. Bateman has no inside emotions. He reacts by inner impulse alone. He seeks gratification through the sex and drugs, but also by engaging in the homicidal behavior. "You could describe ?American Psycho' as a film about perfect surfaces and what might be lurking beneath," says Mary Harron. "Inside, Bateman might want it all to stop, but for him it's a compulsion. He's like the serial killer in M, who says: ?You have a choice, but I can't help what I am.'" "American Psycho" initially earned an NC-17 rating, not because of the violence but because of the graphic sexual content. The director's cut is available on videocassette and DVD, which shows the film's three-way sex scene in more disturbing, yet innovative, detail. That's a good thing, if you're not a sensitive viewer, because this film is all about details. The production design, the cinematography, the visual effects, the engaging soundtrack, the quirks each actor masterfully incorporates with their character, and every other aspect of the film is flush in detail. This is a movie that requires more than one viewing, to experience the surreal visual arena, and to justify what we think actually happened. Perplexingly, the film's conclusion puts the events into question. Did Bateman really kill these people, or did he just really want to? The answers don't come easy, but this is a movie that begs us to look closer?