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15 Minutes (2001) 720p YIFY Movie

15 Minutes (2001)

15 Minutes is a movie starring Robert De Niro, Edward Burns, and Kelsey Grammer. A homicide detective and a fire marshal must stop a pair of murderers who commit videotaped crimes to become media darlings.

IMDB: 6.11 Likes

  • Genre: Action | Crime
  • Quality: 720p
  • Size: 1.46G
  • Resolution: / fps
  • Language: Greek
  • Run Time: 120
  • IMDB Rating: 6.1/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 0

The Synopsis for 15 Minutes (2001) 720p

When Eastern European criminals Oleg and Emil come to New York City to pick up their share of a heist score, Oleg steals a video camera and starts filming their activities, both legal and illegal. When they learn how the American media circus can make a remorseless killer look like the victim and make them rich, they target media-savvy NYPD Homicide Detective Eddie Flemming and media-naive FDNY Fire Marshal Jordy Warsaw, the cops investigating their murder and torching of their former criminal partner, filming everything to sell to the local tabloid TV show "Top Story."

The Director and Players for 15 Minutes (2001) 720p

[Director]John Herzfeld
[Role:]Edward Burns
[Role:]Kelsey Grammer
[Role:]Robert De Niro
[Role:]Avery Brooks

The Reviews for 15 Minutes (2001) 720p

Reviewed byVote: /10

Stinging, hopped up satire of the media and violenceReviewed byNateWatchesCoolMoviesVote: 8/10

John Herzfield's 15 Minutes is a mean spirited little slice of satirical fun, with an eclectic, nihilistic vibe that grabs you, holds on and stings after. It deals with the media's fixation on lurid, disgusting human beings and the violent acts they commit, glorifying such spectacle and pouring salt in the wound simply for rating. Robert Deniro plays NY detective Eddie Flemming, a burnt out hero cop who stages busts so the press can see him in action and get the scoop. When two demented, psychopathic eastern European guys come to town to collect an old debt, they go on an impulsive crime spree and discover that by filming their crimes and peddling the footage to a sleazeball news network they can gain money, and notoriety. Fleming and a rookie arson investigator (Ed Burns) are soon on their trail as their rampage reaches feverish heights of heinous villainy. Karel Roden, an astoundingly good Czech actor, gives the best work of the film as the lead nut job, giving us a grinning, cunning, joker esque portrait of evil. MMA fighter Oleg Taktarov is deadpan good as his child like, brutish companion. Kelsey Grammar plays the amoral, smutty news anchor expertly, and there's great work from David Alan Grier, Melinda Kanakaredes, Vera Farmiga, and a nice cameo from Charlize Theron. The film knows it has to be unpleasant to get its point across, and has fun with the twitchy, almost Tony Scott like excess of style. The heart of the film rests with Roden and Taktarov though, follow in them almost like protagonists and letting them do their thing, like a nightmare, Slavic version of Laurel and Hardy. It's a deliciously twisted little flick with some cool ideas, a great cast and a cheerfully trashy style.

An ugly movie not worth 15 minutes, let alone two hoursReviewed bytrevor-41Vote: 1/10

It's so much easier for me when a movie is just plain bad. 15 Minutes does me the disservice of sticking little bits of originality or thought provoking material in with the excess that makes up the rest of the movie. As a film, it has many flaws. It's choppy, with many useless scenes (watch for the scene towards the end with Ed Burns and Emil in the warehouse-what's the point?). It's characters are generally contrived and silly, but are brought to half-life only by the actors behind them. It is original in some spots (one in particular), but mostly runs on tired cliche. The timing of the humor is very poor, and leads to a general feeling of awkward discomfort in the audience. Everything about this film, right down to costumes and set decoration, is extremely ugly. I don't know if that was intended, but it's just plain hard to look at. The entire film was surrounded by that aura of ugliness- ugliness not only of the sets and costumes, but of the characters and story.

And that story involves a cop named Eddie Flemming (Robert DeNiro), an inferior rehash of Kevin Spacey's Jack Vincennes in L.A. Confidential. Eddie uses the media to make his job easier- and as a result, has become a minor celebrity. Edward Burns plays Jordi Warsaw, a New York Fire Marshall who joins Eddie on the case to find two Eastern European criminals newly in the US to wreak havoc. They have learned from watching television that no one in America is responsible for what they do- and that the media run the show. Murderers become millionaires, and these two know it. They begin to kill and videotape their killings. They plan to kill somebody famous and sell it for millions of dollars. Eddie and Jordi have to stop them.

Now you might ask, why is a fireman on the case- The answer is that there is no answer. They throw in a bit with fire just to bring the Jordi character into it. All writers in Hollywood like to invent different jobs that allow people to be just like cops- without being cops. I guess they figure it makes it more exciting because the cop thing has been done so much. They're wrong. Making the character a fireman is a distraction, leaving the audience wondering what he's doing there. There is no justification for his presence at the crime scenes. Just making him DeNiro's character would have allowed the film to run much smoother.

There are lots of scenes, character developments, and even romances in this film that serve absolutely no purpose. Writer/Director Herzfeld was filling gaps where they didn't need to be filled. It shows that he was looking for something to do, that he only really had one idea, and was strained to make a two hour film out of it.

I mentioned the film's ugliness- It just leaves you with a sick feeling in your stomach. This isn't a sign that the material was effective, just horrible. In a way, the movie is mean spirited, and that is never a good thing. The way the humor was added showed absolutely no skill on the part of the filmmaker. He should have watched his own movie before releasing it, because if he did, he would know how awkward that humour is.

So it all sounds pretty bad, I know. The film's only high points come from generally good performances (DeNiro never fails, even if the script does) and a single point of originality. The film's message, regarding the injustice of the American system, and its preoccupation with fame, publicity, image and the media that creates it all, are points well taken, but not properly executed. The first hour of the movie is deeply unentertaining and choppy, but the second half, at least, becomes somewhat suspenseful and little bit interesting.

Overall, 15 Minutes should be avoided. It was an ugly movie with low points far outnumbering the high ones.

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